The houses.

A 1910s merchant house reopened along a single sightline, from the street door to the garden wall.

A post-war villa quieted with limewash, low light and one long oak bench that runs through three rooms.

A green marble island set on axis with the hall, so the kitchen becomes the first view through the front door.

A former print works divided by thresholds rather than walls — concrete, plaster and nothing extra.

Stone arches restored and left open, so every room in the house ends in the garden.

A narrow flat made to feel long: one colour, one floor, and doors that line up end to end.